https://www.andreadefelice.com/projects daily 1.0 2024-04-26 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1497794731649-HQ4MWKG7X5JCORX3P0B4/place-with-a-pulse-stills.jpg works Place With A Pulse Single-channel video with sound 1920x1080 2013 This gallery displays selected video stills from the work's footage. This two-minute sequence includes a hidden cam beneath a red bird, and the artist engaged in several acts: repeatedly hitting her chest while covered in dried clay, laying face-first into a hole in the ground, and holding a mirror to reflect the sun back at a flight drone camera. There are pulsing sounds throughout the video that fall in and out of sync with the movement [or non-movement] of each image. For the video's first screening, viewers sat in an undersized red chair and watched through worn video glasses with ear buds. Images are courtesy of the artist and Porter Contemporary Gallery, New York. https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1497794734933-7L694MJGL75BUS630L3W/img_1080.jpg works Untitled [Evil Sits on the Chest of a Sleeping Person], 2011-2012. Installation view, Dimensions variable https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1498413120997-NMFHXM9KWMTRDEYD4L3K/IMG_2279.jpg works Blocks [Life Without Desire] Mechanical sculpture with soil, granite slab, motor, hand crank. 6 x 7 x 4.25 in 2013, SOLD View video documentation https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1497794711808-6W2WMGNTWEETNL2BNNA0/img_2459.jpg works Little Battle (version two) Second version of mechanical sculpture with wolves, sound, mixed media 15 x 10 x 11 in 2014 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1498413821437-E5YL81VAZ0KRHW235M5W/DSC00036.JPG works Not Going Anywhere Mechanical sculpture & interactive video installation built into acrylic casing. Components include a live camera, LCD, repurposed parts from a piano and a typewriter, Zoetrope built from microwave parts and drawings, insulation pipe, 2-way mirror, bird skull and pushbutton switch. 15 × 12 × 6 in 2013-2015 Installation photos courtesy of Porter Contemporary Gallery NYC https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1498413951796-S9C9T3GOVT6P67NIBGWA/rats-run.jpg works Rats Run (for animation) Graphite on vellum 11" x 14" 2013 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1498408921469-SGNACS6QZ9SE0QMGB4VY/CARDINALS-DRONES-01.jpg works Cardinals & Drones 1 Chalk on blue paper mounted on board, steel frame 24x36 inches 2014 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1551977116020-KTXOSPCP2856GMRCIRWC/DSC01504_DeFelice1.jpg works - Hotspots (Dead Pixel #1) Site specific installation and photography Archival Pigment Print, mounted on board, steel frame 12 x 18 x 2 in Ltd edition, 1/25 2015 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1551977255588-L6NRBKIXNOJG2BIXYPNA/DSC04244.jpg works - Reclaim View From Above Installation with 35mm slides, 100 color slide photographs of other people’s guns, 35 mm slide projector. Installation Dimensions variable 2016-ongoing An ongoing series of collected photographs of other people’s guns. Each owner was visited in their home by the artist where she photographed their gun(s) in an overhead, down-the-barrel point of view of herself. The images are collected on 35mm slide film, and presented in an installation using a single automatic slide projector. Like film, DeFelice uses the slides as a physical document. Typically used in either intimate, theatrical, or inquisitorial ways, and now an outdated past time, slide projection can be perceived as a benign visual, with a “show-me” kind of reference. There is alluding to outdated technology representing outdated laws. Embracing the analog mechanisms autonomously clicking, DeFelice aims for a subjective approach to authority, fear, memory, and the turntable social practice elements of the work. The result is an increasing collection of debatably aggressive images, as the work encompasses many relating factors still open to question, comparison, and experimentation. https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1498407595582-U8QZ2CMWCOF9YP3LPSZG/DSC02090.JPG works Timepiece #1, #2 and #3 (Installation view) Three-part mechanized sculpture "clocks" with wood, dirt, gears, motor, brass and mirrors 96 x 3 x 3 in 2016 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1497794751449-CGSW20UHBRFBD2OM3K54/img_0689.jpg works - Untitled (Performance with skulls and sledgehammer) (Video still) Performance done in White Sands, New Mexico, May 2011. It involves the artist, in costume [white dress/fox hat], smashing [6] human skulls made of gypsum with a sledgehammer. There are ritualistic and symbolic references, particularly to American culture, while reflecting on histories, human ideologies of the "pure space" and modernity. This was completed and documented five miles out into White Sands Desert. It was 90°F, humidity at 10%, mostly sunny, winds NNW at 20 mph. May 2011 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1509906671998-0HF17CBVBQYW590T1RQV/IMG_5445.JPG works - Emergenc/y (installation view on monitor) Medium/Description: A single-channel, data-driven video, incorporating visual programming language and Twitter to run a programmed algorithm. It plays on a small computer, and projected large on a hanging screen. Video properties: 1920x1080, HD, 29.97fps, silent https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1497794759349-IY89G2XPZ7P3FE26G4LO/itpes-cyprus03.jpg works Installation view for It's the Political Economy, Stupid at the NeMe Arts Centre, Limassol, Cyprus. Post-Fordist Variations, contribution of The Institute For Wishful Thinking [IWT] artist collaborative. https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1551987381245-JYPBHHA9UL8DCG96L4M5/DSC04266.jpg works - By The Millions, (showing pair Cluster (right) & Follow (left)) Both works are acrylic pigment on paper, mounted on board, steel frame. Dimensions: 40 x 29 x 2 in 2017-2019 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1551721957135-VYZNU20DJIT0NHS9R2DB/DSC04181.jpg works - Lemon Bomb Face (part 2): I Win Well Part 2 of a series of mechanized light paintings with light fixture, UV light tube, daylight tube, UV pigment, motor, Arduino, components, wood panel, steel frame. 24 x 36 x 2 in 2018 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1636393664890-PPAFSPIMU06C2CBIAPJ9/IMG_1232.jpg works https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1714162161609-HGWS3LYJ6MF73IIDMHCX/DSC02006.jpg works https://www.andreadefelice.com/contact daily 0.75 2017-09-02 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1498332833526-F7Y1EAWRVHC2EKHI2YH4/image-asset.jpeg contact DIRECTIONS: Send messages using the form. For sales contact jessica@porteradvisory.com https://www.andreadefelice.com/upcoming daily 0.75 2021-11-08 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1519608465518-CPHIIETGAAS7FP04J03N/img_2453.jpg news Artist collaborative begins a project for the Harlem Biennale, upcoming for 2015. For more information visit: http://harlembiennale.org/iwt.html https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1547309748963-9CD9UHG4BTHRSNC1CMCO/defelice_blankout_announce.jpg news Blank Out :: Solo show January 18 - 27 2019 Sweet Lorraine Gallery 183 Lorraine Street 3rd floor Brooklyn, NY 11231 Opening reception: Friday, January 18th 6pm - 8pm Gallery hours: Monday, Thursday, Friday & Saturday by appointment only https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1504378665631-T5GL5K0Z3GDJKTZ4QKHU/image_10_defelice%2Bcopy.jpg news Emergence/y, Video still, 2017 Order/Disorder On view: October 17 - March 9, 2018, Opening October 17 2017, 6-9pm The Yard: Gowanus 157 13th Street at 3rd Ave, Brooklyn https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1519608354928-TPSBWEHSR3DYUDJHQ3JI/itpes-cyprus01.jpg news IT’S THE POLITICAL ECONOMY, STUPID June 27– August 10, 2012 Contemporary Art Center of Thessaloniki Warehouse B1 (Thessaloniki port area) Thessaloniki, Greece https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/5b2775d8-4508-47cd-a069-8a9f9fe2044a/IMG_1211.jpg news - Make it stand out Installation view of 4-part video and sound works, mechanized sculpture, and photographs. Now on view at Schafler Gallery until March 2022 Place/Displace exhibition, curated by Linda Lauro-Lazin https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1498331908512-XPTO9B0T7JVQBJKLDDMA/image-asset.jpeg news https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1504377554657-4D2QI1FMK6Q7KJOD54HR/image_15_defelice.jpg news Cardinals & Drones 2 & 3 on display at Barclays Think Rise 43 W. 23rd Street, 2 floor New York, NY September 1, 2017 through January 2018 For info and sales contact jessica@porteradvisory.com https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1534340972483-VG7HC7NRXZTZGHXD2VBH/REACTION-INSTALLVIEW-01.jpg news RE:ACTION Curated by Amanda Lee | http://www.macp.sva.edu/reaction Artists: Knut Asdam, Richard Barnes, Andrea DeFelice, Brooke Holloway, Elisabeth Molin, Shuhei Yamada Location: Pfizer Building, 630 Flushing Avenue, Brooklyn, NY 11206 Opening reception: April 19, 2018, 6-9 pm Exhibition dates: April 19-May 4, 2018 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/1519608420484-XOS8U8Z3Z312IUMDPW8F/acf_80.jpg news IT’S THE POLITICAL ECONOMY, STUPID January 23 - April 24 2012 Austrian Cultural Forum 11 E 52nd St New York, NY 10022 https://images.squarespace-cdn.com/content/v1/594670a2440243a2a0a822c1/5d8446e1-04b7-439e-937b-c112a2c37f89/Screen+Shot+2021-11-08+at+1.07.50+PM.png news - Make it stand out Artist Residency at Event Horizon, Neapolis Town, Crete, Greece 2021 https://www.andreadefelice.com/about daily 0.75 2024-04-26